I've just started reading this book
for the fourth or fifth time. I've kind of lost track. And it's not like I've
had the book for years and I come back to it after I've had a chance to forget
most of it, I'm actually reading it consecutively. I get to the end of the
book, think "that was nice", and then flick thorough it the way one
does when one has finished a book one enjoyed... and then I just end up going
back to the beginning and starting it again.
Zen
Master Raven: The Teachings of a Wise Old Bird, by Robert Aitken, was
an early purchase for trying out a new Kindle. I had just bought an eBook
reader for the first time, and I was picking up a bunch of books from different
genres to play with my new toy. One recommendation lead to another, and Zen
Master Raven ended up being one of my first purchases.
It was the first book I have read
by Robert Aitken. I’ve since picked up a few more of his books – also on the
Kindle. It’s become something I do at doctor’s surgeries and other places where
I know I’m going to be waiting around for an interminable period of time: I read
Aitken. I find his writing undemanding and yet stimulating. It doesn’t seem to
matter that I’m hovering in some limbo where I could be interrupted at any
moment (but will probably be kept waiting for another half an hour). I think
his writing style is just pitched at the right level of easy-going conversation
about deep and meaningful things.
It has also put me in a bit of a
weird spot when I find one of his books in print in a bookshop (which has
happened a couple of times but is, I’ll admit a rare occurrence). Part of me
wants to buy the book because I enjoy his writing and don’t have any hard
copies of his books. The rest of me doesn’t want to buy a book when I already
own a copy. It’s a strange side-effect of owning a Kindle: you both own and don’t
own the books at the same time.
If I ever did stumble across a
print version of Zen Master Raven
again, I probably would buy it (even though I won’t go out of my way to get one,
because I already own the book), simply because it has become one of my
favourite books and I’d love to be able to lend it to people who might enjoy
it.
It’s an odd bingdingle of a book – a
collection of fables written for grown-ups by a retired Zen Buddhist priest. It’s
surprisingly hard to say what the book is,
as I have no idea what genre it might belong to. I can only really tell you
what it’s (sort of) about.
Raven (a bird), after talking to a
number of Zen masters, finds a teacher in the form of Brown Bear (a bear –
these aren’t people with critter names, they’re critters). After studying with
Brown Bear for a while, he becomes a Zen teacher himself, and establishes a Zen
community in Tall Spruce forest, where creatures as diverse as moles, badgers,
woodpeckers, wolverines and porcupines come to sit together for zazen around
the Assembly Oak and ask Raven questions about Zen (as well as life, the
universe and everything).
These short fables aren’t really
fables, as there isn’t much of a plot to them, they’re more conversations. They
fit in perfectly well with a lot of traditional Buddhist literature (especially
within the Zen schools) which basically consist of Monk X asking Master Y a
question and getting what appears to be a ridiculous answer in return. In these
stories (often featuring in books of koans), the answer is meant to challenge
the assumptions behind the question – and the assumptions you brought to the
table when you read the koan in the first place. Once your frame of reference
has shifted, the answer isn’t ridiculous at all.
That’s what these fables in Raven are – short conversations in which
the meaning shifts around depending on where your understanding happens to be
at the time. In addition to other works by Aitken (including commentaries on
koans), I’ve been reading books by other Zen teachers, and I swear that every time
I re-read Raven, I’m picking up
something new. I’ll notice that a character isn’t being treated the way I
originally thought, but rather he’s been pushed to realise he’s got the wrong
end of the stick. I’ll notice that an answer given to a question I originally
read one way is actually quite profound for completely different reasons.
And because I’m underlining things
that make me smile, or make me think, or just really appeal to me at the time,
I’m coming across things I underlined on my first reading that now mean
something different to me – or which were so of that moment in time that I can’t
remember why I underlined them in the first place.
The stories and characters are the
kind of thing we would normally regard as being “for children” – but they aren’t
really. It’s not that they are unsuitable for children – the language isn’t beyond
kids and it’s not not for children –
it’s just that the stories make very little sense if you aren’t studying or
practicing (or at least reading up on) Zen. You could read them to children, but I don’t know why you would. I expect most children would find
them boring, confusing and utterly pointless. And those who did enjoy them
would probably look back on them as an adult and realise they had missed the
point entirely.
I expect I’ll look back on them in
my old age and realise I’ve missed
the point entirely.
I guess what they really are is
koans for Westerners – for those of us who grew up with stories of Goldilocks and the Three Bears and Br'er Rabbit. The trouble with the “serious”
koans in the “serious” koan collections is they come from another time and
place and culture. Half the time you miss the subtleties of what’s going on,
because someone needs to explain the undercurrent. These tales belong to a more
familiar cultural milieu, so it can challenge your view of things without
needing to explain what’s going on first.
The reason why I’ve read the book
so often is because it’s perfect bed-time reading. I like to read something
short and “devotional” before I go to bed. It’s a longstanding habit from my
days as a devout Christian, when I used to read actual devotionals. I really
love the genre and format of devotionals. They are complete works – you read
one short page of text and you’ve read the whole thing, so you can just put
down the book after that page and not get suckered into reading another one “just
to see what happens next…” They often have a little bit of a story, and maybe
also a few lines of verse, and they leave you with a thought. Sometimes it’s a
warm fuzzy thought (“God is looking out for you”), sometimes it’s a challenging
thought (“are you making the most of your time on this earth?”). At no point is
it such a demanding thought that you’ll be lying awake at night trying to nut
it out.
I’m not a great sleeper, but I do
notice that I sleep better after reading a devotional than I do after I’ve read
almost anything else. Zen Master Raven’s
tales give me the same “hit” as a devotional. They’re short and complete, and
it doesn’t matter if I’ve been up late fussing about things I should have dealt
with hours ago, I can still fit in one or two tales to help settle my brain
before turning in.
Oh, and it also fits in quite
nicely with my fledgling collection of books with bears in them. In addition to
Brown Bear, Raven’s teacher, there is also Black Bear – a student of Raven who
is slowly working out what it’s all about.
One of my favourite lines in the
book belongs to Brown Bear, and I’ll leave you with it:
Owl said, “What are Right Views?”
Brown Bear said, “We’re in it together, and we don’t have much time.”
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