"She married Freddy, of course."
For some reason I've always remembered this line as being something George Bernard Shaw (GBS) wrote in his "sequel" to Pygmalion (the play better known in its musical incarnation as My Fair Lady). On rereading that story recently, I discovered it wasn't there. Not only wasn't it the first line, which is where I thought I remembered it being, but it wasn't in the text at all.
In the copy of Pygmalion I own (a second hand copy bought for a dollar back when I was a teenager), GBS has provided both a prologue and an epilogue for the play. In the prologue he tells of one of the professors of phonetics he knew back in the 1870s who formed a large part of the inspiration for Henry Higgins. In the epilogue he provides the "sequel" - telling us what happened to Eliza (and some of the other characters) after the events in the play had finished.
When I first read this story, as a teenager, I found it vaguely depressing. Like many people who loved the tension between Liza and Higgins, I wanted the play to be a love story. At the time, I thought the only fit sequel to the play would involve Liza eventually taming and marrying Higgins. The idea that she would settle for Freddy, of all people, just seemed like a let-down.
I think I've been at a disadvantage because I've only ever seen Freddy performed as something of a non-entity. Whenever I've watched the movie or stage production of My Fair Lady, Freddy comes across as being a bit of a sap, really. But, reading over the play again recently, I've noticed this isn't in the play at all.
Freddy can be played as a sap, or he can be played as the Prince Charming of this particular Cinderella story. The script supports either interpretation.
And there's something else the script supports: Freddy knows.
At the very beginning of the play, Freddy gets a very good look at Liza's face when they bump into each other. They look eyes with each other just as a lightening strike illuminates the scene with a clap of thunder.
Then he comes back and talks to her again before that scene is over - no doubt paying attention to this strange woman who somehow knew his name (just as his mother had before him).
When he meets her later, in Mrs Higgins' parlour, his first words to her are "I've certainly had the pleasure". Granted, he could just be a bit of a vague fool, like his mother and sister appear to be... Or he could be a henpecked man who has met someone beautiful and fascinating and has decided to play along with this interesting game she seems to be playing.
Freddy has had it rough. He was born into the upper echelons of society, but his family is broke. He was raised to be the kind of person who doesn't need to work, but he can't afford to maintain that position. His mother and sister treat him like an idiot, and he's constantly trying to follow behind them and keep up appearances as they go from one social engagement to another (well, insofar as they can afford it). He's probably expected to marry someone just like them - but even if he wanted to, would he be able to afford it? And then, suddenly, this gorgeous young woman is dragged into his world, and it's the most interesting thing he's ever encountered in his boring, henpecked existence. Is it any wonder he's happiest when he's hanging around outside her house?
At the end of the play Eliza makes it clear that Freddy isn't stupid, they've been in contact quite steadily during the past few months, and she knows he loves her. She never says anything to indicate Freddy is someone she is "putting up with", or that she doesn't and could never return his affection. In fact, depending on how you played her, it could be quite obvious that she loves him too, but is still trying to figure out what she wants from Higgins.
It turns out Pygmalion is a love story after all, but we're so distracted by the relationship between Cinderella and her Fairy Godfather that it's easy for us to miss the real love story between our courageous heroine and her slightly goofy Prince Charming.
Reading the "sequel" again in this light, it's so obviously right. That's exactly what should happen. Eliza should marry Freddy, and they should start a flower shop. They both happen to be fish-out-of-water in this bold new middle class world (as she came from the lower classes and he from the upper); they they should struggle together to make a go of it. Higgins is someone who should always be an important part of her life, but like a godfather, not like a lover.
As GBS himself points out - Galatea could never really love Pygmalion, he's too godlike.
And Freddy? Well Freddy deserves more attention. He's so subtly drawn in the play that he can be easily over looked, and given short shrift in performance, but I think it throws the play into a whole new light if you work on the assumption that he isn't an idiot, and he knows exactly who she is - and doesn't care.
You know, I think Freddy just became my favourite character.
